1 edition of De Antigones et Ismenes sororum mytho. found in the catalog.
|The Physical Object|
|Pagination||xvi, 107 p. :|
|Number of Pages||77|
nodata File Size: 6MB.
Protected DAISYs can only be opened using a key issued by the. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Item Metadata This dissertation traces the course of the myth of Orpheus and Eurydice in classical and later Western literature.
by: Naidu, Maheshvari Published: 2008• There are two types of DAISYs on Open Library: open and protected. Sed quum tria ejus generis poemata, quae de hac materia composita erant, Oedipodia, Thebais, De Antigones et Ismenes sororum mytho., mala quadam sorte nobis non servata sint, ex aliis poetis, qui de eodem argumento egerunt et ex illis carminibus hausisse materiam videntur, summa lineamenta mytho rum exstruamus oportet. Myth sometimes evolves art-forms in which to express itself; Politian's Orfeo, a secular subject which used music to tell its story, is seen to be the forerunner of the opera Chapter IV ; later, the myth of Orpheus and Eurydice evolved the opera, in the works of the Florentine Camerata and Monteverdi, and served as the pattern for its reform, in Gluck Chapter V.
by: Vanzan, Piersandro 1934-2011 Published: 1992• This work was reproduced from the original artifact, and remains as true to the original work as possible. The Orpheus bequeathed to literature by the opera Chapter V is more human and fallible, and in the Romantic age Chapter VI this figure is gradually fused with the mystical Orphic poet, so that the contemporary Orpheus of Rilke and Cocteau Chapter VII is again a symbol, but of man in his role of artist, seeking to communicate with another world.
Excerpt from De Antigones Et Ismenes Sororum Mytho: Dissertatio Inauguralis Quam Amplissimi Philosophorum Marburgensium Ordinis Auctoritate Et Consensu Ad Summos in Philosophia Honores Rite Capessendos Die XXIX.
Therefore, you will see the original copyright references, library stamps as most of these works have been housed in our most important libraries around the worldand other notations in the work. com This book is a reproduction of an important historical work. by: Till, Josef Published: 2008 more. by: Di Nicola, Giulia Paola 1949- Published: 1998• by: Butler, Judith 1956- Published: 2000• We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
by: Wunenburger, Jean-Jacques 1946- Published: 1994• The Orpheus bequeathed to literature by the opera Chapter V is more human and fallible, and in the Romantic age Chapter VI this figure is gradually fused with the mystical Orphic poet, so that the contemporary Orpheus of Rilke and Cocteau Chapter VII is again a symbol, but of man in his role of artist, seeking to communicate with another world.
In the Renaissance Chapter IV , Orpheus is once more a symbol of the civilizing force, and the descent to Hades, though often alluded to, is less important than other myths in the Orpheus-cycle.
While the myth has meant something different to every age, there is a uniformity in its tradition: poets have always availed themselves of one or more of its three themes - the victory of death over life, the civilizing power of music, the problem of human emotion and its control.
We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In the Middle Ages Chapter III , the myth is allegorized in Boethius and romanticized in the Middle English poem Sir Orfeo.