1 edition of Embodied Encounters found in the catalog.
|Statement||Taylor & Francis Group|
|Publishers||Taylor & Francis Group|
|The Physical Object|
|Pagination||xvi, 136 p. :|
|Number of Pages||58|
nodata File Size: 2MB.
It will be essential reading for psychoanalysts and psychotherapists, scholars and students of film and culture studies and film makers.
She highlights that it is challenging to imagine the protagonist as the cameraperson because then the audience is unable to see her the protagonist.
It does this by attending closely to Jacques Lacan's late seminars stressing the 'sinthome' that marries the body to the unconscious, and by situating Lacan in the context of Embodied Encounters broader psychoanalytic tradition. It is an important and timely collection that revitalizes psychoanalytic film theory for the twenty-first century, offering fresh engagements with leading auteurs and significant films.
We argue that these encounters with more-than-human nature can serve Embodied Encounters alternatives to those dominant healthism discourses that invoke problematic risk, fear and crisis responses. Julie Sexeny, On Jessica Benjamin and Black Swan. Die anthropomorphe Kamera und andere Schriften zur filmischen Narration.
Despite the importance of interactions with natural environments for personal and social well-being, there is only limited evidence of the relationship between the environment and health as an idea or area of study in school education in Australia.
The chapters included here engage with Jung and Freud, Lacan and Bion, and Klein and Winnicott in their interrogations of contemporary cinema and the moving image. It is filled with unforgettable essays that will define how we think of the possibilities inherent in this intersection. What is the role of the unconscious in our visceral approaches to cinema? An example of haptic visuality is when one looks at objects from extreme proximity so that the human eye might be able to sense the materiality of the object, but cannot discern what exactly the object is.
The speakers include some of the most original thinkers in the academy today in alphabetical order : Professor Stephen Frosh, Birkbeck College, University of London, Professor Luke Hockley, University of Bedfordshire, Professor John Izod, University of Stirling, Professor Vicky Lebeau, University of Sussex, Dr Agnieszka Piotrowska, University of Bedfordshire and Professor Emma Wilson, University of Cambridge.
In the process of allowing connection once again, within myself, to sustaining earth, and in the process of participating in creatively connecting communities I am finding a path that is making sense Embodied Encounters my therapy practice and life as a whole. This article highlights how embodied relationships with specific scents can constitute a therapeutic encounter with place, actively influencing practices and engagement with in place, and the ways by which place can have a meaningful affect on health.
I do not wish to suggest that all other documentary filmmaking that is not autobiographical, autoethnographic, or self-reflective is involved in visually mastering and in creating hierarchies through means of filmic representation.
'Embodied Embodied Encounters represents a landmark moment in the intersection of psychoanalysis and film studies. Carol MacGillivray On Embodied Encounters the Screen through the Diasynochronscope. The dissertation combines collaborative, creative filmmaking and feminist scholarship and sets out to reframe the woman traveler by focusing on three fundamental issues in feminist filmmaking: body, voice, and collaboration.
Abstract: What is the role of the unconscious in our visceral approaches to cinema?
At the same time, it is difficult to imagine the protagonist not being the camera operator because then the perspective of what is happening is no longer hers that of the protagonist, which is something we usually expect in an autobiographical film Brinckmann 88.
The chapters included here engage with Jung and Freud, Lacan and Bion, and Klein and Winnicott in their interrogations of contemporary cinema and the moving image.
Ben Tyrer , On Black Swan and Feminine Jouissance.
Essential reading for anyone who cares about cinema.
The dissertation combines collaborative, creative filmmaking and feminist scholarship and sets out to reframe the woman traveler by focusing on three fundamental issues in feminist filmmaking: body, voice, and collaboration.